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‘A Very British Scandal’ & ‘Eastenders’ Scribe Talks Craft Of Writing

Prolific British writer Sarah Phelps, whose television credits include A Very British Scandal, Dublin Murders and long-running BBC soap drama Eastenders, encouraged an audience of writers at Dublin’s Storyhouse festival not to get discouraged by trolls or hate mail for their work.  In a frank and impassioned session...

‘How To Have Sex’, ‘Scrapper’ Writer-Directors On Lessons From Debuts

Writer-director-cinematographer Molly Manning Walker and writer-director Charlotte Regan revealed some of the big lessons they each learned from their respective debut features How to Have Sex and Scrapper and imparted advice to an audience of screenwriters at Dublin’s inaugural Storyhouse festival for writers.   Manning Walker, whose How to Have...

David Nicholls Talks Collaborating With Writers For ‘One Day’

Esteemed British writer David Nicholls is not precious when it comes to adaptations of his novels and cites Netflix’s recent adaptation of his 2009 novel One Day as being a perfect example of how being open-minded to fresh ideas on established material can result in...

‘Holy Spider,’ ‘Boiling Point’ & ‘Ballywalter’ Writers On The Process

The second day of Dublin’s Storyhouse screenwriting festival kicked off with a bang on Friday as established writer-directors Ali Abbasi (Holy Spider), Mounia Akl (Costa Brava Lebanon) and Stacey Gregg (Ballywalter) all discussed at length the process of how they achieve their best...

‘The Dry’ Creator & Producer On Crafting A Multi-Character Show

With its second season now airing on Ireland’s RTÉ One, the creator and the producer behind Irish comedy-drama The Dry both sat down at Dublin’s Storyhouse festival to give attendees a masterclass in how they attempted to grab audiences in the first five minutes of...

‘Poor Things’ Scribe Tony McNamara Talks Challenges Of Writing

Tony McNamara likes a challenge but when Greek director Yorgos Lanthimos first presented him with Alasdair Gray’s 1992 novel by Poor Things to adapt into a script, even the seasoned Australian writer admits he found the material daunting.  “When Yorgos first gave me the book, I...